Mi casa es tu casa, 2025, glue by DAG, Berlin, is an installation that reflects on the connection between ritual, healing, death and life. It is a system, that was created to exist and grow in an almost unreal and dead place. A vault cellar becomes home to an organic system made for it’s conditions. Ivy overgrows memories, trauma and materials to protect and hide them in context of the places history where forced labor during the Nazi era took place.
Fieldnotes, 2025, Galerie MET, Berlin, observes the connection between trauma, ritual, nature and the role of us humans in this fragile construct. At the same time, it is an intensive dealing with the own position and perspective of the artist himself. The exhibition opens the possibility to enter personal memory fields of the artist, his symbols and reflection on, such as in nature, it's inhabitants as well as his own paths and notes in it to reflect oneself.
GHOSTS, 2024, UdK, Berlin, as a work complex, is a visual research for traces and the finding of a language for something unspeakable. It examines the surreal existence of abused hunting dogs in animal shelters and rescue centers in Spain and is a comprehensive complex of works for the artistic and scientific examination of the human-animal relationship and observation of social and environmental factors phenomena of the postmodern world.
